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„Two Houses above the Sea“ presented in Split

On Thursday, June 5th at 6 pm, the Split Croatian National Theatre hosted the presentation of the book Two Houses Above...

„Memory can be scary but forgetting is scarier“

On May 30, the magazine „Obzor“ of Večernji list published an interview between Branimir Pofuk and Dražen Lalić, on the ...

Promotion of „Two Houses above the Sea“ in Split

We are pleased to invite you to the Split promotion of Dražen Lalić's book Two Houses Above the Sea, which will take p...

Rhythm&Book: „Power Games and a New Global Reality“ with Višeslav Raos

Last night, in the pleasant atmosphere of the café bar „Crni mačak“, we held the third meeting of this season as part of...

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The Navel of the Light

In the novel The Navel of Light, Andonovski plays precisely and lucidly with time and space, temporal discontinuity, but also with one of the eternal human obsessions – immortality. The three main stories take place during three historical periods, with (non)random synchronicities between them, and cover several key themes: fidelity, eternity, someone else's sin and one's own sinlessness. The game with existence in multiple periods (or in multiple parallel universes) is simultaneously supported by a dynamic narrative in which there is no coincidence, with a multitude of metatextual remarks that boil down to the dilemma – is storytelling given to us so that we can understand that everything is simultaneously the present, the past and the fut...

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Book of the month

Ship Skoplje

Summer has arrived unexpectedly, the season of vacations and long weekends is open, and our book of June, a great collection of short stories Ship Skopje by the well known Macedonian author Vlada Urošević, is waiting to be read!

Starting from the model of combining poetic and prose discourse, through the classic short story that promotes traditional narration, all the way to the Borgesian postmodern mystification of reality using the „found manuscript“ or „distorted worlds“ motif, the author takes us with this collection not only on a journey to unknown distant places, between the real and the imaginary – but also through the development path of his own narrative opus. As a writer, Vlada Urošević is more than ready and able to step beyond the limits of the visible, open the „doors of perception“ to some new and unknown worlds, and discover magic and some mysterious, unusual beauty in the dull reality.

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